2020

Action Gallery (9′)
– for orchestra (2222/2210/2perc/hp/pf/strings) and electronics

2019

Outside Inside (16′) [watch]
– experimental music theatre
– for 3 performers (conductor, vn, perc) and electronics

Invisible Evil (5′) [watch]
– experimental music theatre
– for 5 performers (actor, bari sax, tpt, e gtr, perc)

Options, Culprits, Dirty Play and Winners (10′)
– music to accompany dance
– choreography and concept by Angela Blumberg
– for 2 performers (dancer, e gtr/ dancer) and electronics

Music About Music (12′) [listen] [interview]
– for chamber orchestra (1111/1110/perc/hp/11111) and electronics

Surreal Dialogue Through Inanimate Objects (10′) [watch]
– for solo bass clarinet and electronics

2018

Anima Sequentia (45′) [watch]
– experimental music theatre
– choreography by Angela Blumberg
– for 8 performers (3 dancers, actor, bari sax, va, pf, perc) and electronics

Impossible Creature (11′)
– experimental music theatre
– for percussion quartet and electronics

Ivy (7′) [watch]
– music to accompany dance
– choreography and concept by Angela Blumberg
– for electronics

Ancient Rhymes Unwinding (16′) [watch]
– for solo percussion and electronics

2017

Genesis Lumina (20′) [watch]
– experimental music theatre
– choreography by Angela Blumberg and Quinn Jacobs
– for 5 performers (dancer, ten, e gtr, vc, perc) and electronics

Visions I (10′) [watch]
– experimental music theatre
– for 1 performer (conductor/ actor) and electronics

Much Ado About Nothing (40′ of music)
– incidental music
– script by William Shakespeare, directed by Sarah Phillips
– for 1 performer (perc) and electronics

Troilus and Cressida (30′ of music) [listen]
– incidental music
– script by William Shakespeare, directed by Matjash Mrozewski
– for electronics

The Miraculous Transformation (25′ of music)
– partial film score
– produced by 90th Parallel Productions
– for electronics

2016

Richard II (20′ of music) [listen]
– incidental music
– script by William Shakespeare, directed by Mikaela Davies
– for 1 performer (syn + perc) and electronics

King Lear (14′ of music)
– incidental music
– script by William Shakespeare, directed by Ellie Moon
– for 1 performer (gtr + perc) and electronics

Leading the Blind (6′) [watch]
– music to accompany dance
– choreographed by Tracey Norman
– for 7 performers (dancer, conductor, fl, b cl, acc, vn, perc)

Glass Republic (9′) [watch] [listen]
– for 5 performers (fl, cl, e gtr, pf, db)

Voices You Never Hear (9′) [watch] [listen]
– for 3 performers (sop sax + perc, vn + perc, pf + perc)

2015

Dectet (11′) [listen]
– for 10 performers (fl, ob, tpt, vc, mezz, alt, e gtr, pf, db, ds)

Bethlehem (7′) [listen]
– for 5 performers (fl + perc, cl + perc, mar + perc, vn + perc, vc + perc)

Search for Meaning (11′) [listen]
– for 4 performers (alt, e gtr, pf + syn, perc)

2014

Language Barrier (8′) [listen]
– for saxophone quartet

Industrial Evolution (14′) [listen]
– for string quartet

2013

Crusade Across the Sky (21′) [listen]
– for big band (5 sax, 5 tpt, 4 trb, pf, db, ds), narrator, and rapper

Fire Poetry (10′) [listen]
– for big band (5 sax, 5 tpt, 4 trb, pf, db, ds)

What Remains of Past Lives (8′) [listen]
– for piano/ cello duet